The poets who really woke me up with their writing were prurient and profane when I found them, but exciting enough to keep reading until I understood what made their work lasting, important, and profound. Allen Ginsberg is the first of these. I read Howl at fourteen years old crouched in a Barnes & Noble in a suburb too far from Los Angeles to really be a suburb. After Howl I spent then next couple years seeking out other writers whose work felt like a punch in the stomach: Henry Miller, Charles Bukowski, and Stephen Dobyns knocked the wind out of me during my high school years, and it's partly due to Allen Ginsberg that I found them.
There is a poem other than "Howl" in the book of the same name that is strikingly beautiful and strange and melancholy, and it is this poem that I return to when I pull out my dog-eared copy of Collected Poems 1947-1980: "A Supermarket in California" is a fantastical poem about tailing Walt Whitman through a grocery store, and it ends thusly:
Ah, dear father, graybeard, lonely old courage-teacher, what America did you have in mind when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?
If you want to read some of the scholarly things people have to say about Allen Ginsberg, Ann Charters said most of it, you can check it out here.
Today is Allen Ginsberg's birthday: Happy Birthday, Allen Ginsberg. Celebrate by reading one of his other poems. I found this audio clip of him reading his poem, "America" that I had never heard before, and I was struck by the joy and humor in his voice as he reads it: He was able to be loud about serious things, but always with joy and a sense of humor.
Showing posts with label reading poetry. Show all posts
Showing posts with label reading poetry. Show all posts
June 3, 2010
May 24, 2010
the poetry problem, part ii: picking up where you left off.
Our first experiences with poetry, for those of us fortunate enough to have been children sometime after Where the Sidewalk Ends got published, came from Shel Silverstein--he introduced us to the silly, funny sing-song things our language could do, in such a way that anyone who uses language can appreciate. This is a fundamental characteristic of the accessible poetry we are trying to discover here: It should offer something to anyone who uses language, and help them experience language in an unusual way. The exaggeration in Silverstein's work appeals to the mountain-sized imaginations that children carry around with them, and the rhyminess allows them to play with the sounds of language almost separate from meaning, which is a wonderful way to explore when you are a little person whose vocabulary is expanding exhaustively.
Sometime between Sarah Cynthia Sylvia Stout and today, you stopped thinking of poetry as a fun and approachable way to enjoy language. So let's pick up where you left off and explore some smart, funny, poignant people who don't expect you to obtain an MFA before reading their work.
Billy Collins and Poetry 180.
Billy Collins is an American poet who used to be Poet Laureate of the United States, and while he held that title he did a wonderful thing for poetry and for young people by creating the Poetry 180 project. He compiled a list of 180 poems that he thought would speak to young people, and these poems were read, one per day, over school intercoms during homeroom. His work matches the humble, thoughtful tone of his voice, making it a joy to hear him read his own work, which you can do here and here. His poem entitled, "Introduction to Poetry" speaks to the issues we're trying to work out here.
Ron Koertge.
The universal experience of awkwardness, adolescent or otherwise, is treated with kindness and humor in Ron Koertge's work. The reader is made to feel comfortable about his/her own awkward moments, and perhaps even laugh at them. Some of my favorites of his poems are "Lonely as a Leftover Thumb," which appeared in In the Palm of Your Hand: The Poet's Portable Workshop by Steve Kowitt; and "The Poem Enters a Beauty Pageant," which I can't find online. He also writes young adult fiction, and you can find books of his poetry on Amazon.
Richard Brautigan.
Trout Fishing in America was an important discovery for me when I was in high school, and The Pill Vs. The Spring Hill Mine Disaster is a book of Brautigan's poems that comes in the same volume. His work is silly and beautiful, often at the same time, and reading his poetry made me consider some of the strange things that language can do: He articulates truth using absurdity to get there. Enjoy "Your Catfish Friend" and maybe take a look at some of his prose, too.
I hope this is helpful! Go read some poems and see if any of them make you laugh. Click around the Poetry 180 site next time you're bored at work. Let some poems bore you and some poems jump out at you without judging the experience. See if you can articulate what's working for you and what isn't.
Sometime between Sarah Cynthia Sylvia Stout and today, you stopped thinking of poetry as a fun and approachable way to enjoy language. So let's pick up where you left off and explore some smart, funny, poignant people who don't expect you to obtain an MFA before reading their work.
Billy Collins and Poetry 180.
Billy Collins is an American poet who used to be Poet Laureate of the United States, and while he held that title he did a wonderful thing for poetry and for young people by creating the Poetry 180 project. He compiled a list of 180 poems that he thought would speak to young people, and these poems were read, one per day, over school intercoms during homeroom. His work matches the humble, thoughtful tone of his voice, making it a joy to hear him read his own work, which you can do here and here. His poem entitled, "Introduction to Poetry" speaks to the issues we're trying to work out here.
Ron Koertge.
The universal experience of awkwardness, adolescent or otherwise, is treated with kindness and humor in Ron Koertge's work. The reader is made to feel comfortable about his/her own awkward moments, and perhaps even laugh at them. Some of my favorites of his poems are "Lonely as a Leftover Thumb," which appeared in In the Palm of Your Hand: The Poet's Portable Workshop by Steve Kowitt; and "The Poem Enters a Beauty Pageant," which I can't find online. He also writes young adult fiction, and you can find books of his poetry on Amazon.
Richard Brautigan.
Trout Fishing in America was an important discovery for me when I was in high school, and The Pill Vs. The Spring Hill Mine Disaster is a book of Brautigan's poems that comes in the same volume. His work is silly and beautiful, often at the same time, and reading his poetry made me consider some of the strange things that language can do: He articulates truth using absurdity to get there. Enjoy "Your Catfish Friend" and maybe take a look at some of his prose, too.
I hope this is helpful! Go read some poems and see if any of them make you laugh. Click around the Poetry 180 site next time you're bored at work. Let some poems bore you and some poems jump out at you without judging the experience. See if you can articulate what's working for you and what isn't.
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